Just a pair with a unique setup of an old-time shared mic up front and centre, with a pair of rerouted telephone receivers acting as mics behind that surrounded by an assortment of percussion instruments and litter of guitars rested nearby. They proceeded to make compelling, fleshed out songs from this array by running around and singing this piece here, looping that sound there, feeding back over here and then coming together as a dynamic duo in front of it all to bring it home. Opener Killing Time is Murder laid its hooks and they dug deeper with each passing track.
To add another family dimension to it all Luke Doucet paused to describe the little girl in her bathing suit who had run up from the beach to clamber over the stage and sing along some 8 years previous. Then proceeded to introduce this little lady as his now 17 year old daughter whose musical talents were obviously inherited from her father as she controlled the mic with ease on an excellent Tom Waits cover that all three coordinated on while Luke simply played the acoustic.
This couple's attractiveness runs much deeper than the skin, penetrating to their vocal cords and musical souls. I'd love to see what their home jam space looks like, or be around during for Christmas carols.
Usually special guests are not kept under wraps at Hillside for the mere fact that there are 3000 talkative volunteers milling about backstage with open ears. (Stuart McLean comes to mind.) However despite "..with special guests for the finale" being in the program there was much talk and few possibilities floated. (Win and Regine joining the already present Richard Reed Parry and Sarah Neufeld as an incarnation of The Arcade Fire wasn't really feasible as a finale to overshadow Whitehorse was it?) After their curtain call the couple were enticed back onto the stage and Luke took to the mic to introduce Ruth Moody, Brenda McMorrow, and Tony Dekker (GLS) plus the return of his daughter, Chloe. In recognition of the recently passed JJ Cale they performed his song, Crazy Mama, with Brenda on violin and all else acting as new backing vocals. Following this they tore it all down with I'm On Fire. A splendid Springsteen song, they really brought it home by bringing it down to crowd fueled finger snaps and sing-out as the band backed away slowly and disappeared, leaving us singing ourselves out into the night with another amazing Hillside wrapped up.
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